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When implementing at higher tempos, you will most likely want a lower value than 127 vice versa for lower tempos. The upper ranges are for a “frantic”-sounding vibrato. The lower in the range this goes, the more the vibrato strays from the tempo these ranges are meant for being able to modulate the vibrato speed down on a held note.

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Since the LFO is in free mode, you can use automation on this parameter to vary the speed of the vibrato while it is occurring in a human manner (example: a guitar note vibrato could start slow, then gradually increase in speed, then slow down again, all as the vibrato intensity increases). RATE TIPS: Use the BPM value as a starting point and increase or decrease by ear as desired. For extreme whammy-bar sounds, you could use an instrument with the PB range set to a larger value than 2, say 6 or 12.Īnother common guitar technique is to bend up a note quickly a slight amount right before it ends, as if a player is bending the string a little bit as their finger leaves it (grace note bend). To emulate a guitar whammy-bar scoop, start a note with the pitch bent low, then quickly scoop it up to +0 immediately after the note starts (this technique is used at measure 8 in the Guitar Solo audio example). To emulate a fretless instrument’s “quaver” (such as a jazzy upright bass), set “vibrato” to a low value with slight, random pitch modulation and just leave it there. To emulate fretted bent string vibrato (which vibrates notes upwards, but not downward), add in a touch of upward pitch bend at the same ramp as the vibrato automation in such a way that the bottom of the LFO continually lands around +0 cents. The center of the vibrato will be the center of the chosen note. To emulate vocal or brass vibrato, simply use this macro. If other things are routed to the Pitch Bend parameter in an instrument (such as you can do with the Operator or Sampler instruments), the Vibrato will affect them as well. You can draw this in with a clip or arrangement automation on the “vibrato parameter”… L eave the parameter at “0” when a note starts, and after the notes are about half complete, ramp up the vibrato. In general, it is common for notes to start out straight, then as the note is held, the vibrato comes in. When producing, “Freeze” your audio track after tweaking all the parameter automation, to satisfy in order to lock a specific iteration of randomness in time so that every playback is exactly the same. Since randomness is part of the equation, the vibrato variation will itself vary on every playback. When combining a pitch bend with vibrato, the vibrato’s ceiling will “hit” the upper (or lower) bend range and not extend beyond it, leading to a “targeted vibrato” sound.

Freeze the track to “seal” the random humanness.

Fine-Tune the automations, if you need to. Remember to return parameters to default after modulations.

Record or draw Pitch Bend, Vibrato, and Vibrato Rate automation on your track.

Adjust the basic rate if it is faster or slower than you’d like on average. Test it: play a sustained note, and while doing so use the vibrato parameter to listen. For tempos above 127, use 50% of the bpm (example: for 160bpm, try setting rate to 80).

Set “BPM” (Rate) to this section’s BPM.

Now you can use the 3 knobs (with your mouse, or mapped to a midi controller) to control the pitch bend signal being sent to the instrument. This device takes over MIDI CTRL Pitch Bend. Generally, you ‘ll want this at the very start of the midi track before all other midi fx.

Drop the “ PitchBend Vibrato” rack (after you’ve saved it into your User Library) into a midi track, before the instrument.

When off, this rack does nothing and MIDI Ctrl pitch bend resumes normal function.

Active -When on, overrides normal MIDI Ctrl Pitch Bend and allows pitch bend vibrato.

The vibrato rate will roughly match the tempo and can be smoothly altered in real time.

Thus, as you turn it up, the vibrato becomes more “defined”. At maximum, it has minimal fluctuation, and at more subtle levels the random variation increases. Vibrato -This knob will add in human vibrato smoothly.Pitch Bend -Bends the pitch up or down, by the amount set by the midi instrument.You can save it at the start of any instrument rack to add the functionality to it permanently. This is a MIDI effect rack to be placed before an instrument which adds Pitch Bend, Vibrato, and Vibrato Rate knobs to your disposal. PerforModule “ PitchBend Vibrato” midi effect rack Some really cool nuggets of wisdom in here.

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So now that you are downloading that, Animus has laid out some awesome info on what it is and how to use it.

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Download PitchBend & Vibrato Effects Rack